Tuesday, August 23, 2011

Down in the Dunes

Cape Cod Dune
9"x4" watercolor on paper 

We hit the road and headed for the ocean this past weekend. But it wasn't the jewel-toned, turquoise and tepid waters of the Caribbean that greeted us when we hiked down to the beach.

No. It was the Prussian-blue surf of the Atlantic that lapped at our toes. There was a storm coming across the sea, but we missed it. 

Nothing but blue skies.........

Monday, August 22, 2011

Loosey Goosey Golden Eggs Part 4

4"x6" ink on watercolor paper
 



4"x6" ink on watercolor paper
 



4"x6" ink on watercolor paper



The Bluest Eye
4"x6" ink on watercolor paper




Wednesday, August 17, 2011

Loosey Goosey, Golden Eggs Part 3

I Dreamed of Better Dreams
4"x6" ink on watercolor paper



Botox is Cheap. Yes, it is.
4"x6" ink on watercolor paper



 I Don't Work for Tips
4"x6" ink on watercolor paper



 Of Course, I Believe You
4"x6" ink on watercolor paper



Do you have a favorite so far? Let me know..........

Sunday, August 14, 2011

Loosey Goosey Golden Eggs Pt. 2

I've been matting all of my loosey-goosies -- here's the next batch of four. I think they look quite lovely. What do you say?

  
 4" x 6", inside a 5"x 7" mat



4" x 6", inside a 5"x 7" mat 



4" x 6", inside a 5"x 7" mat 




"Change The Channel"
4" x 6", inside a 5"x 7" mat


Thursday, August 11, 2011

By the way, I've got a bridge you might be interested in...



2" x 3.25" on 5"x7" mat -- oil on subway card


A few closer looks..........




Tuesday, August 09, 2011

Loosey Goosey Golden Eggs

These are lovely and extremely affordable. And who doesn't need some affordable luxuries these days?  Please click the titles for more information.


 
 4"x6" ink on watercolor paper, in a 5"x7" mat



 "She Said She Had a Plan"
4"x6" ink on watercolor paper, in a 5"x7" mat




 "Who Wore It Better, Part 1"
4"x6" ink on watercolor paper, in a 5"x7" mat


 4"x6" ink on watercolor paper, in a 5"x7" mat

Please visit the links - original art, not prints! Ready to pop into a standard 5"x7" frame.




Friday, August 05, 2011

Living Color

Some loosey goosey works step up to color...........



4"x6" ink and watercolor on paper 
SOLD



 

4"x6" ink and watercolor on paper





4"x6" ink and watercolor on paper

Monday, August 01, 2011

Loosey Goosey

I tried something new over the weekend - and pushed all of these tools aside: 



 Because I was going to make Eyedropper Portraits. 

They are quick and fun and really free up your inhibitions  -- the result is very loosey goosey. If you get paralyzed at the thought of drawing because you fear that You're Not Doing it Right or that the result is not photo-realistic or accurate enough and, therefore, no good -- then you should give this method a try.

Here's what you need:

1. Eyedropper and small dish




2. Some waterproof India ink. Here's my well-used bottle:




3. Some small sheets of watercolor paper. I cut up some cold-pressed paper into 4"x6" rectangles but you can use hot-press if you like.


Gather a few photographs or magazine images to use as a reference if you don't want to depend on your imagination. The goal isn't to copy a face but just get an idea for a pose, expression or proportions. I pulled out a copy of Vogue and also had some snapshots of my kids.

Add a few squirts of ink to your dish and fill up the dropper.


Oh wait, I forgot one more item:



Yeah, that is what you think it is. A roll of toilet paper:

Tear off a length of about 2 squares. Make a small pile of 2-square lengths, one for each portrait you plan to paint and keep them at the ready.

Now, using the eyedropper as your pen, draw a contour-line type drawing of the  face in your reference. Release just a few drops of ink as you go. You're not really squirting a lot of the ink on the page so much as just dragging the dropper and occasionally squeezing out a little bit of ink to keep the line going. The ink will pool in some places, the line will vary in width. Don't fret about stray marks or drips.


Now quickly, before the ink can dry, drop a length of toilet paper (2 squares is just right for a 4"x6" piece of watercolor paper) right on top of your drawing. You don't have to blot it, maybe tap lightly in a a few places to make contact. As you know, toilet paper is pretty absorbent and it will sop up the extra pools of ink without much effort --



Then lift the toilet paper straight up off the drawing:


The blotting removes some of the excess ink and will alter the line somewhat -- which is good! The result is always unexpected. 

My first effort didn't change that much from the blotting, but I like it. It's loose and fresh and I set it aside to possibly add some watercolor when fully dry.

Then I set out to do a few more:



And then a few more:


And then a few dozen more!


The more I did, the more comfortable I became with the ink and the better they  looked. I think I had close to 50 by the time I was done.

Next time, I'll show you the result when I add watercolor to the line drawings -- tho' some are beautiful just as they are.


A big thank you to artist  Carla Sonheim, for the idea for this exercise which is included in her wonderful book, Drawing Lab for Mixed Media Artists: 52 Creative Exercises to Make Drawing Fun.


Monday, July 25, 2011

Can't stand the heat so I stayed out of the kitchen

As much as I wanted to get out and about in the city this weekend, the triple-digit temperatures made my cool studio a much more attractive option.

First up, a special commissioned request for one of my clients: a NYC harbor scene on Metro subway fare card to give as a gift. I was surprised that I could squeeze all of these elements onto such a tiny canvas:

  


 Next up, another request for a Metro subway fare card paintingAnother client of mine suggested I paint a view of the Queensboro Bridge and I dove in this weekend. I may add a bit more detail to the  suspension rigging but I'm liking it as it is so far. 

What do you all think?


I was so pleased with the bridge that I used it as a study of sorts and began another version on an actual stretched canvas, measuring about 9" x 12". It's not finished but I made some decent progress in an afternoon on this larger version:



A closer look:



I'll post further progress as I make it (I'm optimistic!) and both bridge paintings will be available for sale on Etsy when complete.

Guess the heat was good for something after all.

Saturday, July 23, 2011

Looks like they're hanging pretty nicely!

Big shout out to Michael from Philly -- he's framed two subway card paintings and sent along photos. 

 

 They look great, Mike, thanks!

Keep the photos coming, friends - take it with a point-and-shoot or even with your phone, as long as it's a nice clear photo. 

Looking forward to sharing it here!



.

Friday, July 22, 2011

The Lady Meditates



She's clearly at peace in her beautiful, new frame.  Thank you to Christina from Texas for sending along this photo!

Anyone else out there have a photo to share? Email me, please - info@vhmckenzie.com.

Tuesday, July 19, 2011

So how's it hangin'?

To you, my faithful readers, I pose a question and a request: have you purchased some art work from me in the recent (or even not-so-recent) past?  If so, would you share a photo of its place in your home with me? 

I'll post the photo here on the blog with or without your name (whatever you wish) but will like to at least note your city or country. Let's get things started with a photo sent to me all the way from Western Australia from the lovely Joan, who purchased a set of tropical mini prints this past winter. 


 The multi-opening mat was perfect for all those coconuts. Joan wrote, "I do love them and I think they look great in my hallway.'' Thank you, Joan! 


 


Also from way down in Australia, my long-time blogging friend Dinahmow posted this photo of my Chrysler Building print that she framed and now has hanging in her home. Lovely!

Any more out there? Would love to see them and love to share. Shoot me an email with a photo: info@vhmckenzie.com

Thanks in advance! 
 

Tuesday, July 05, 2011

I'm committed

I keep swearing off commissions but then typically find myself at least giving it a go. Here's the latest -- a request for a pen and ink of Damien Marley. The client provided a photo reference.

I started with a pen that has a pretty interesting trait. It's your basic black calligraphy marker with a flat tip. It makes a standard drawing, right?




But when you start to brush it with water --- JUST WATER, no paint - the lines bleed in faint hues of blue and pale pink. I then layered on a little Prussian blue watercolor and some black ink to heighten the contrast. Most of the color comes from the water applied to the lines.








Damien
9"x12" ink and watercolor on paper


The lines then did become a little blurred so I went back over the surface with a bamboo pen dipped in ink to bring out the line. Client is happy and I am relieved!

Tuesday, June 28, 2011

Where are you going ?


 
Or maybe it should read "where have you been?"

I received a special custom request a few weeks ago. My client wrote asking if I would be interested in creating a large 3' x 4' painting with "a black background with the names of the places that my boyfriend and I have visited this year painted in white text."

She provided me a link to what she had in mind here.

The preference was for white on black instead and for hand lettering rather than using stencils. After receiving the list of citites, I set out to create some possible layouts with a variety of type styles in photoshop.


My client opted for the bold look of the type in the first panel, upper left. 


I purchased the gallery-wrapped canvas - which seemed dauntingly huge.



I then set out to transfer the design onto the surface of the canvas. I printed out enlarged versions of the type,  pieced the words together and used graphite paper to transfer the letters to the surface.





I suggested to my client that rather than use only black and white type, I would blend and glaze a variety of colors. It would be a more interesting approach and create a richer, more complex image. 



 
In place of black, I mixed Prussian Blue with Purple Lake and occasionally also some cerulean blue. I didn't want the background to be one flat solid color so I repeatedly mixed the paint in different amounts and layered the on the surface, blocking out the letters. Gradually the background grew darker and darker.
 



Likewise for the letters, I started with a creamy mix of Naples Yellow, a touch of cadmium orange, and white.




I  glazed the letters, gradually bringing them closer to white but with hints of the original colors occasionally peeking through. I continued to build up the background, making it a rich dark, deep purple-blue.


I kept the letters slightly sketchy, and with visible paint strokes - this is a painting after all, not a printed poster.  
 

And voila -


My client is thrilled - now we're just waiting a few more days for the paint to dry before it makes its way downtown to its new home.

If you'd like to have such a personalized painting in your own home ----  
 

 you can order one here. 

Places or names of your choosing, other color options as well. Email me!