Showing posts with label black girl. Show all posts
Showing posts with label black girl. Show all posts
Monday, May 28, 2007
Catching up with Tasha
Tasha No. 2
Ink and watercolor on paper
Print available here.
I'm putting this painting, Tasha No. 2, to rest. I last posted the original line drawing and the first stage of watercolor. I wasn't quite happy with where it was going, the color harmony seemed all wrong to me.
I've darkened the overall appearance, taken a step away from my usual bright and vivid colors. I think perhaps the expression on her face is more suited to somber colors.
Here's a look at the progression:
However................
I had drawn another version of Tasha and so I decided to begin another painting, using the complete opposite range of colors. This is just beginning so I've no idea where this one will end up.
Labels:
art,
black girl,
caribbean,
Jamaica,
painting,
pen and ink,
portrait,
portrait progression,
tropical painting,
watercolor
Tuesday, May 08, 2007
So I think Shara is done -- but Tasha is not....
This is another 12"x15" ink line drawing of a young girl, Tasha. I used a bamboo pen with india ink to draw the preliminary lines.
Now here is the first result of my adding watercolor washes to the ink. I'm not so certain about the harmony of the colors. I've used blues and purples in the shadow areas but may be adding more warm washes over her face to bring all the colors together. Not sure. And I don't know about that lime green for her shirt. Hmmm. Going to sit on this for a bit and get back to you!
Now here is the first result of my adding watercolor washes to the ink. I'm not so certain about the harmony of the colors. I've used blues and purples in the shadow areas but may be adding more warm washes over her face to bring all the colors together. Not sure. And I don't know about that lime green for her shirt. Hmmm. Going to sit on this for a bit and get back to you!
Labels:
art,
black girl,
caribbean,
Jamaica,
painting,
pen and ink,
portrait,
portrait progression,
tropical painting,
watercolor
Thursday, December 07, 2006
A Very Old Young Woman
She's only about 5 or 6, but has the face of an old soul. Shy and quiet, she moves like a little old woman about the yard. She's carrying some kind of weight I can't quite put my finger on. She always wears the same expression: hopeful, curious, worried....
We took her to the sea one day. I don't know if she'd ever been there before. She was the first in the car, but the last one in the water. The enormity of the beach and the ocean gave her pause.
My daughters helped her up on an inflatable raft, certainly her first time with such a magnificent toy. Within seconds she'd tumbled over the side and without any fuss or flailing arms, she slowly sank to the bottom, her eyes wide, looking up at the sky through the water.
"That's just how she looked, mommy," said my daughter. "She just sank like a rock, on her back, looking up at us." A little hopeful, a little curious, and undoubtledly a little worried.
A Very Old Young Woman
Ink and watercolor on paper.
Purchase a print of this painting here.
Ink and watercolor on paper.
Labels:
art,
black girl,
black girl magic,
caribbean,
cornrows,
Jamaica,
painting,
portrait,
tropical
Wednesday, October 11, 2006
No sad stories this morning --
Just a hot cuppa minty tea, while sitting in the shade at Alfred's Ocean Palace.
There's no better place to watch Life's Rich Pageant come strolling by under a Caribbean morning sun,than Alfred's.
Breakfast At Alfred's Ocean Palace
Ink and watercolor on paper.
Purchase a print of this painting here.
Ink and watercolor on paper.
Tuesday, October 10, 2006
Before we lost track of Poochie -
We took her to the sea.
Poochie was cast out by her mudda an' fadda and sent to live with Miss Una out inna country. Montego Bay was no place for a 5-year-old whose mother had no time fi she. The ghettos of Mobay were ruff enuff and one more unwanted likkle girl was bound to find a better life out in the rural yards of the parish of Westmoreland than the streets of the city.
Seen?
Poochie was soon under the stern watch of Miss Una out in the wide open hinterlands of Savanna La Mar, some 20 miles west of Negril, along the south coast of Jamaica. Miss Una was the aunty of a cousin of Poochie's mudda or half-sista of a cousin of an aunty or a half-sista of her cousin or, well, it doesn't really matter.
Miss Una took Poochie in without a second thought. Even tho' Miss Una was finally finished raising her own pickney.
Miss Una and her youngest daughter, Felecia, shared a bed in her two-room house. One more likkle girl squeezed in under the covers didn't put anybody out. So Poochie stayed. And stayed. And stayed.
Miss Una is my mother-in-law. And my two little daughters, her grandaughters, loved Poochie. Poochie was as foreign and as mysterious as a jackfruit, a soursop, a plate of ackee. And she was a girl who knew how to climb a ginnep tree in a flash and deliver a bunch of ripe juicy fruit, fearlessly shoo away the loose grazing goats and knew which little shop on the lane had the coldest boxed drinks. Poochie could run up an' dung pon da gravel barefoot, while my girls didn't dare take off their sandals for fear of piercing their soft city-girl feet.
And when we visited Jamaica, we'd always take Poochie and a handful of other pickney to the sea. We'd buy her one fresh bath suit and take her to the ocean for a swim, followed by platefuls of jerk chicken and endless bottles of Pepsi or Kola Champagne. The exotic seaside was a place she saw once a year, when friends or family fram farrin would load up a car with all the little yard pickney an' tek dem a beach.
But one year Poochie was no longer in the yard with Miss Una. Something bad had happened to Poochie.
As if enuff bad tings had not happened to Poochie already.
A lonely, old coot of a man on the lane had taken to asking for Poochie's help to collect limes way out inna bush, several mornings a week. Poochie was permitted to go as her share of limes would contribute to the family funds.
Unitl it became clear that very few limes, if any, were being collected.
Long hot hours of walks way out inna bush often resulted in just an empty bucket. And a Poochie who grew despondent, angry and withdrawn.
Poochie was barely 12 when she was sent back to Montego Bay. After all, no one could send the Old Coot off the lane. So the little girl, who had already been cast out once for her own good, was returned-to-sender for the same reason.
We don't know what has become of Poochie....
Before We Lost Track of Poochie
Ink and watercolor on paper
Purchase a print of this painting here.
Ink and watercolor on paper
Labels:
art,
beach,
black girl,
black girl magic,
caribbean,
child,
cornrows,
Jamaica,
Negril,
portrait,
tropical painting,
watercolor
Monday, October 02, 2006
A painting a day - Shara in the shadows
This is Shara. Another little child of a country yard in Westmoreland, Jamaica. She's sitting just inside the doorway of her grandmother's tiny wooden clapboard house, which sits about 3 feet off the ground, each corner barely balanced on a rickety pile of misshapen stones. It's hot outside. Not so cool inside "nydah" but she's cooler in the shadows.
Well, I had a rough time painting Shara tonight.
Sometimes it flows and sometimes it seems as if everything is conspiring against you to paint. Between children who've waited until the last minute to do their homework and "have just one question" to a cat who has chosen to cough up a few fur balls on said child's bedding, and so forth. Well.
So when I sat down to paint Shara I got her almost completely finished but then she became overly worked in paint. Too many layers, not enough definition.
I got so frustrated I ran the whole darn thing under the faucet. Well, actually, I spritzed her with a forceful spray bottle right between the eyes a few times, until her face was back to a milky, tho' splotchy, cream color. And then i had to let her dry and begin again.
I knew the result wouldn't be clear transparent layers of color -- that's the risk you take when you submit a watercolor to the spray bottle. Kind of like scraping back an oil painting but with much different results.
But I kept at her. Even added some goache to create more opacity and brought her down into the deep blues. She's not anywhere near how I began but perhaps that is for the best.
SOLD
Labels:
art,
black girl,
caribbean,
Jamaica,
painting,
portrait,
tropical,
watercolor
Saturday, September 23, 2006
Wasn't gonna post on the weekends --
But I want to move on from these. So here's the original painting of the woman with beads (top) and two variations. The third (bottom) is actually a different woman, but I thought she made a good addition to the series. I find when I paint a series, painting the same thing over and over again but in a decidedly different manner, it forces me to try new things. I experiment, whereas previously I might have just depended on old techniques. This is particularly fruitful when I'm pleased with the first result. Then everything that follows is gravy -- no pressure.
Labels:
beads,
black girl,
black girl magic,
caribbean,
cornrows,
girl,
ink,
Jamaica,
Negril,
portrait,
watercolor
Wednesday, September 13, 2006
Annette No. 3
This is a 4"x6" watercolor -- I scanned the painting in stages, beginning with the ink line drawing since I wasn't sure what direction I was going to go in terms of color. I tried something a little different from the saturated jewel tones I usually use. But after the first set of washes (middle pic) I decided to make the colors a bit richer, and brought up the contrast. I could have tinkered with this forever, but then risked it becoming muddy and overworked so -- c'est fini.
Labels:
black girl,
black girl magic,
cornrows,
Jamaica,
Negril,
painting progression,
portrait,
watercolor
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