Showing posts with label rural. Show all posts
Showing posts with label rural. Show all posts

Wednesday, September 25, 2019

Orange is The New Black is The New Art Opportunity


One of my paintings appeared on the set of the final season of Orange Is The New Black.

In the 4th episode of the season, Gloria's final flashback finds her speaking on the phone with one of the daughters she left behind in Puerto Rico after having left for the United States many years ago.

If you don't blink, you can catch a glimpse of this watercolor on the rear wall of the set!

Thank you again, #ladyprisonproductions !

Bromeliad No. 1 
12" x 15" watercolor and charcoal on paper

Print available here.




Wednesday, October 10, 2007

Less is More



I've resisted the urge to do more to this painting. No layering, no blotting, no nothing. She looks clean and wet and translucent and fresh.

Know when to hold 'em, know when to fold 'em

Less Is More
Ink and watercolor on paper
Print available here.

Monday, May 07, 2007

Another step closer



Hmmm, think I'm almost there -- as I planned, I darkened the area behind her head and back, desaturated the bright yellow highlight on her face, taking out some of the yellow, darkened more of the verticals to the left of her face, more work on her face and arm....not sure what else I will do.

Knowing how to paint also entails knowing when to stop. I'm stopping. Shara No. 2 is complete.

Shara No. 2
Ink and watercolor on paper
Print available here.

Wednesday, May 02, 2007

A work in progress

As you've proably noticed, I've been taking a break from the smaller daily paintings and focusing on larger pieces. One reader suggested I take the time with these pieces to post some images of them in stages. I was spoiled by the immediacy of the 4"x6" portraits, as I was always able to finish them in a single sitting.

But there is so much more surface area on the larger sheets -- I have to stop, let portions dry, take a step back. I think it will be beneficial to me, as well as any interested viewer, to see how a painting changes, how we have to take advantage of "happy accidents" which are the calling card of watercolor, and see that where we end up may never have been where we thought we were going when we begin.

So -- here goes.

This is the preliminary line drawing, using india ink on watercolor paper. I was very happy with the expression and almost left it as is. But I was too tempted to liven her up with color.





My first effort was a disaster. I'd used my usual palette of bright, saturated colors but it just wasn't working. Wish I'd taken a pic. I was so disappointed that I ran the entire sheet of paper under the faucet and let it soak in the tub. When most of the color drained from the paper, I took it out let it dry and began again.

There were very pale, pastel colored washes over the surface of the paper, the remains of my first attempt, but I just began painting again, and chose an entirely different, more muted, earthy palette. The next stage, still unfinished, is below.



She still needs more work on the face/cheekbones and also her arm. I love the colors in the wall behind her, but I think it needs to be pushed further into the darks.

Watercolor always dries a few shades lighter than when you put it down -- the wet paint always seems dark and saturated, so it's often best just to let it dry periodically and take a break. Once fully dry, the painting presents an entirely different course of action. To be continued.............

Monday, March 12, 2007

Cold Drinks



Well, maybe not today..............You can always tell when a Jamaican shop is open for business -- windows and doors will be flung wide open, letting the breeze "cool i' dung". But if the shop is buttoned up like a church lady on Sunday morning, you best keep moving on down the road.

Cold Drinks
Ink and watercolor on paper
Purchase a print?  Info here.

Tuesday, March 06, 2007

Sun Rise One Stop


See what I mean? That empty Heineken bottle rolling around under the passenger seat signals it's time to pull over. And just around the corner, the next one-stop appears as if summoned by  "deh powahs."

I'll pass on those dusty Tings lined up outside, even if they ARE in the shade. I'm from "farrin", so I need something out of the cooler, please. I'll take a bag of those Excelsior Water Crackers, hard as rocks, but tasty. The King grabs a Supligen and a "wizla" and we hit the road again..............

Sun Rise One Stop
Ink and watercolor on paper 

Purchase a print here. 

Friday, March 02, 2007

Bakka Yahd


One hot guinness or two cold red stripe, mebbe a bun an' cheese with a fresh coconut jelly. Get one frozen box drink for the pickney or maybe a Kola Champagne. 

If rum's your thing but you cyant afford an entire bokkle of J & B, just bring your own small empty pint and pay for a refill. 

Buy just one or two rolling papers, because who can afford to buy a whole pack?

And you're back on the road, sure to come across another one-stop around the next corner when your provisions run low.

Driving through the rural countryside of Jamaica always makes me think this is what middle America must have been like in the 1930s. One day these independent shops will be gone and Burger King and KFC will dot the landscape, just as they've taken over the streets of 'town and Mobay. Catch 'em while you can............

Bakka Yahd
Ink and watercolor on paper 
Purchase a print here.

Sunday, November 26, 2006

Meeting Miss Una



I checked myself out of the Black River clinic against the advice of the sole doctor in attendance. They had no x-ray equipment and no plans for treating me that day so I wanted out and I wanted to get to an actual hospital.

Or so I thought.

No ambulance service was available so Peter hailed down a local driver who insisted on the incredibly acceptable amount of $5 U.S. to transport me to the hospital in Savanna La Mar, some 40 minutes away. I had a makeshift splint on my leg, a shot of demerol, and delictately-split designer jeans, so we were off. Before we were allowed to depart, the nurse insisted on a $3 U.S. payment for services rendered. Done.

The hospital in Sav was not what I expected. I was wheeled in on a gurney, along a sidewalk lined with what seemed like hundreds of people, all ages and sizes, and all curiously interested in the white woman being wheeled past to the ER entrance. I guess it is human nature to stare down into the face of someone on a gurney as they pass, but it is downright bizarre to be on the receiving end, with stranger after stranger just staring you in the face.

After a long wait, various questions and inspections, I was admitted to the women's surgical ward and ascended to the 2nd floor in a rickety freight elevator. I was to spend the night; there were no x-ray technicians on duty on a Sunday so I would have to wait until morning to get a diagnosis for my shattered right leg.

The ward was large and full, with nearly 50 women occupying the narrow beds. An aisle ran down the center of the building, and there were several clusters of 4 beds on either side, broken up by low dividers. The walls were a bright, gaudy turquoise blue. The windows were not windows at all, but slatted wooden shutters, open to the outside, without screens. Remind me to tell you of the bird which flew in one side and out the other, the next morning.

I saw the bed reserved for me, but it had no sheets. It seems we had to provide our own. As I lay on the gurney by the nurses' station, a cockroach crawled along the guardrail. Hmmm. I wasn't certain that I had improved my situation.

Peter had disappeared briefly after I was admitted and suddenly re-appeared, bearing in one hand a small plastic bag filled with peeled oranges and cut-up pineapple and in the other, a small neat suitcase. Behind him stood a tiny, older woman with a cluster of short braids peeking out from under a turned-backward baseball cap. She wore a delicately flowered short-sleeved shirt, and a dark cotton skirt which hung below her knees. I couldn't see her feet.

"This is my mother."

Oh my. I offered my hand and introduced myself. And she shook it with a shy smile. I was surprised to see that although she had most of her teeth, several were black and rotting. A few had long gone. But Miss Una had packed me some sheets and proceeded to help make my bed. After the orderlies gently moved me from the gurney, I made room for Miss Una to sit near my feet. She gently smoothed the sheets but didn't speak much, except for a single word or two, and only when Debbie or I spoke to her.

Under the circumstances, small talk was virtually impossible. She was inscrutable. I offered her one of the oranges Peter had brought me. We both chomped away on them, it was a good alternative to conversation.

Meeting Miss Una
Ink and watercolor on paper
Purchase a print of this painting here.

Wednesday, October 04, 2006

Chud, Chud, stop tawk an' siddung Chud



This is Chad.

Tho' to hear the older children call him, it sounds like "Chud". Stop talking and SIT DOWN, Chad.

He is full of beans, as are most little 7-year old boys. He is Shara's little brother -- likkle brudda. Last year's school report said that Chad was "very intelligent, with great potential for high achievement, but he must not miss so many days of school......" Chad is full of questions and answers and funny faces and uncanny observations.

But he cannot always afford lunch money.

Or books.

Or school fees.

Or a pair of shoes and a uniform.

So Chad misses too many days of his public school.

It seems I unconsciously chose a rather "high-key" color palette for this painting of Chad. Almost-electric colors -- perhaps that is because Chad is FULL of ENERGY. He doesn't stop moving nor mugging nor chatting. Not a shy nor sad little boy --- or as they say in patois, one BRIGHT likkle bwoy.

But I caught him in a moment where all of that seemed to hang in the balance.

Chad could end up squandering all of those brilliant qualities because the system requires shoes over curiosity, a uniform over enthusiasm and lunch money over a hunger for knowledge......

"Chud, Chud, Stop Tawk an' Siddung, Chud"
Ink and watercolor on paper. 
Purchase a print of this painting  here.

Tuesday, October 03, 2006

Miss Una .....




... a mother of seven, only five of whom survived their childhood. She raised them all without electricity or indoor plumbing or a husband, in her small two-room wooden house. I wonder which of those three things she missed having the most....? She still cooks her meals over a fire outside her home. She lives in the same house where Shara sat in yesterday's painting.

Lots of layers of paint on this face -- lots of layers of life.


This is a 4"x6" watercolor and ink painting on paper.

Sunday, October 01, 2006

A painting a day - Miss Birbeck

Aaahhh, I had fun with Miss Birbeck today, she doesn't miss a trick. She's fairly quiet, sees all, knows all. But says not a word......

Miss Birbeck No. 1
Ink and watercolor on paper.