Showing posts with label tropical. Show all posts
Showing posts with label tropical. Show all posts

Wednesday, September 25, 2019

Orange is The New Black is The New Art Opportunity


One of my paintings appeared on the set of the final season of Orange Is The New Black.

In the 4th episode of the season, Gloria's final flashback finds her speaking on the phone with one of the daughters she left behind in Puerto Rico after having left for the United States many years ago.

If you don't blink, you can catch a glimpse of this watercolor on the rear wall of the set!

Thank you again, #ladyprisonproductions !

Bromeliad No. 1 
12" x 15" watercolor and charcoal on paper

Print available here.




Monday, February 11, 2008

Monday Morning Mashup



A new feature of The Night Shift -- I've been experimenting with collage. Many of my paintings never see the light of day but have some remarkably beautiful elements within that I hate to discard.

Ergo, Monday Morning Mashup...............look for a new one every Monday.


"Party Hat", 6"x8" mixed media collage

Friday, February 08, 2008

And a change of scenery



They like to say, "Once you go, you know." I say it takes more than once. Go only once,  you don't know nuttin'.


"Cabana By the Sea"
Ink and watercolor on paper 
Prints available here.



Friday, January 25, 2008

Yuh Know Mi?



"Yah mon, yuh know mi. Mi remembah yuh. A lang time you a come a Jah-mey-ka, riiiiiight?"

I'm that smiling dread who Touch Fist with you the first time we meet because, "Yuh cool, seen?"

I'm that smiling dread who told you, "Yuh one Original Ragamuffin, a dat mi know," as I nodded to my bredren and we all laughed that knowing laugh, eyes wide. Made you feel like you were one of us, right?

Yah mon, yuh know mi.

I'm that smiling dread who said, "Nuff respect, souljah, big up di EYE, seen suh?" as I effortlessly rolled you the fattest skliff you'd ever seen. But as I drew my tongue across the edge of the rizla and then twirled the tip of that fatty inside my mouth to seal it up tight, you wondered if this was really A Good Idea.

"Bless up", I said as I handed you the sacrament. "Tek it, mon, tek it," I said as I waved away your offer of a few jays. "Jess gwan an' bun some weed, mon." After all, you're one of us, right? And after a few deep draws on that skliff, you decided it was indeed a good idea.

Yah mon, yuh know mi.

I'm that smiling dread who told you, "Wi muss tek one trip inna de hills an' see deh ganja fields dem, cuz you a one-a mi I-dren, you a ragamuffin fi true, seen?" And then I told you where to rent one criss cyar so we could make a serious tour to the country and you could see the Real Jamaica.

Yah mon, yuh know mi.

I'm that smiling dread who told you that tourists,"Couldn't hangle deh ruff roads" as I instructed you to slide over to the passenger's seat while I slipped behind the wheel. And then I said, "We muss mek two more stops fi pick up chree more bredren," before we pulled into the gas station with the "T+E+X__+O" sign to fill the tank. My friends and I share the wealth. When one of us hits the Tourist Jackpot, we all climb aboard the gravy train.

"Ragga, wi wan some Guinness fi di drive, seen?" I said. It took you a moment to realize I was speaking to you, calling you "Ragga". But when you realized you had acquired your very own yardie street name, you smiled a little smile. And moved quickly to provide me and my three friends with drinks. You didn't realize that I just had forgotten your real name.

Yah mon, yuh know mi.

I'm the smiling dread who took you so far beyond the boundaries of Negril (or so it seemed) that you couldn't believe you hadn't had the courage to do so on your first three trips to the island. What a story you would have to tell your friends back home. You got so high you knew you could never find your way back to Negril if you had to drive yourself, so you were happy to have us guide you and show you the runnings and give us a likkle change when we brought you back to your hotel and buy each of us plates of brown stew chicken and a round of heinekens because we told you it was the right thing to do.

"Come I-dren", I reminded you, "We showed you the Real Jamaica. Yuh muss tek care a wi, a chru?"

Yah mon, yuh know mi.

But that's the sad part of this story. Yuh nah even know mi real name. Yuh nah really know me a-tall.

And I'm not really smiling.

Yuh Know Mi?
 Ink and watercolor on paper
Print available here.

Wednesday, January 23, 2008

Bikini Bandit



I'm not just a city person, I'm a New Yorker. Not by birth but by choice. And New Yorkers don't typically just drop in upon one another to visit, or to "give a check," as they say in Jamaica.

We schedule, we plan, we make appointments to do lunch. We keep our guard up and we're cynical by nature. And frankly, when we are cocooned in our apartments, an unexpected knock on the door or, more aptly, a startling ring of the buzzer gives us pause. We glance at one another.

"You expecting someone?"

"Noooooo, not me. You?"

"Nope." Brows furrow.

But when we are in Jamaica, there seems to be an endless stream of folks passing through, dropping in, giving us a check. Only a handful have been given the closely-guarded secret of our arrival date, an even smaller number have actually been invited to come visit us. But many have heard through the sea-grapevine that we are in town and they come, seemingly by the dozens, day after day after day.

I'm a bit of a recluse myself. It's an adjustment.

Don't get me wrong. There are folks I'm delighted to see, to catch up on what they've been up to since we've seen them last. We gossip and laugh about life in yard. True friends.

But then there are the rest.

You know who I mean. You've heard of Empty Nesters? Well I call the unwelcome visitors the Empty Guest-ers. They come empty handed. With empty bellies. And empty wallets. Guess what else is empty? Their schedule! They come to spend the entire day with us, wonderful news, no?

And so it was with Nadine, who knocked on our door early one morning. Still groggy from sleep, I was less than thrilled to find a sullen 15-year-old girl on our doorstep, making the typical Empty Guester announcement: I've come to spend a day at the beach with you.

Yippee.

Well, at least she was alone. But that also struck me as odd. Nadine is usually with her mother Denise, a relative of my husband. I've always liked Denise. She's a hard-working, married mother of 3 and has a full-time job. Denise typically phones us first, asking when she can come and visit us. As you might imagine, that's a huge bonus in my book.

More importantly, Denise has always seemed genuinely interested in just coming by to say hello, to catch up with our family and see how our girls have grown. She wants our children to know one another, to keep the American "cousins" in her children's landscape. She never asks for a thing and never complains about her own struggles. Denise is cool and kind.

So why was Nadine alone on our doorstep? She was suspiciously empty-handed for a full day at the beach, even for an Empty Guester. No purse, no bag, no towel, no change of clothes. Nuttin.

Brows furrow.

I told her we're still getting ourselves up and sorted out. I suggested she could go up to the front and sit at a beach-front table at the Whistling Bird bar while we get dressed.

"Have you had any breakfast yet, Nadine?"

She only raised her eye brows, pouted her lips and shook her head. Ok, I'll make some breakfast and bring it up to a table at the front. The girls will join her in a minute, as soon as they get into their bathing suits.

So I whip up some scrambled eggs and toast and haul a big platter full up to the beach. I see that my girls are sitting alone at a small table while Nadine has planted herself on a tall bar stool, flirting with the bartender.

And drinking a Red Stripe. On our tab.

"Nadine? No more Red Stripe," I say, as she tips the brown bottle up and drains the last of it. "Your mother would hardly be happy to learn that I plied you with Red Stripes while you were under my watch at the beach. You're only 15. No more beer."

She shrugs her shoulders and slips off the bar stool, headed for the eggs and toast. I glare at the bartender, hissing "Juice and soda only, ok?" He starts muttering about Jamaican pickney drink young and it's only Red Stripe and American pickney "jess cyan hangle it like Jamaican pickney dem an'"--- I stop him. "Look, if she's under my care, she's not drinking, ok?" Now the bartender shrugs his shoulders.

After devouring more than her share of the scrambled eggs and toast, Nadine asks for the key to our cottage. She needs to use the bathroom. Sure, I say, handing her the key on the long, blue nylon cord. She turns and strolls back along the sandy path toward our cottage, swinging the key around her finger in big looping circles.

"Mommy, she was drinking BEER!" my oldest daughter whispers. My little one, sitting next to her, is wide-eyed and nodding her head.

"Yeah," I sighed, "I know. It won't happen again. She must just be feeling a little feisty, being down here alone without her parents. But I told her it is NOT permitted. No more Red Stripe for Nadine." My girls look at each other and snort, starting to giggle. Not only is Nadine bold enough to order a beer, stunning in itself, but to put it on Mommy's bill is too much for them to imagine. They are clearly in awe of Nadine, their very first Bad Gyal.

I'm disappointed that I now have a 15-year old to wrangle and entertain all day. I was looking forward to just setting myself up in a quiet corner of the property to draw and paint. My girls, however, are now looking forward to whatever surprises Nadine may have in store of us for the day. I typically dread having a day-long Empty Guester in the first place, nevermind one who clearly was planning to push her teenage boundaries.

Brows furrow.

Nadine returns a few minutes later, handing me the key and slumping down in a chair. She's quiet and clearly bored, considering her options. "Cyan mi haff one pepsi, miss?" she asks. Sure.

She walked over to the bar, got a Pepsi from the bartender and returned to our table. She then announced that she was going to "tek a walk 'pon de beach. Mi soon come." Giving the girls a little wave, she spun on her heel and briskly walked off in the sand, heading up the beach. Part of me thought I should stop her but part of me was relieved that she was gone. After all, she'd gotten to town by herself, clearly she could handle a walk on the beach alone. And clearly she really had no interest in spending the day with an 8-year old and a 10-year old, let alone the American Auntie who wasn't going to buy her any beer.

So now what do I do?

"Don't be too long, Nadine," I rather lamely called after her.

Although not from Negril, she knew this town as well as I did if not better. I figured she'd return by lunchtime. As soon as she was hungry. Still, I felt uneasy. I walked over to the the bartender and asked him if he thought she'd be alright alone. Of course HE saw no problem with her drinking Red Stripes all day, so I don't know why I valued his opinion of the situation. I guess I just wanted to hear someone else say "she'll be alright, nah worry yuhself."

Which is exactly what he did say. And now it was my turn to shrug.

Still, it gnawed at me that she was left in my care and was now cavorting up the beach. I called Denise but her phone went straight to voicemail. I left a message, saying that Nadine had arrived safely and eaten breakfast, but had taken off up the beach. I just wanted to let her mother know that I really didn't feel as if I had much control over her.

Sure enough, by the time lunchtime rolled around, so did Nadine. I don't know what she'd been doing for the past few hours, but she still looked bored. And she was hungry and in need of the bathroom. Clearly we were just the convenient service station for her day at the beach. After serving Nadine and my girls some lunch, she announced that she was ready to go home. And she needed cab fare.

Brows furrow.

"Your mother isn't planning to pick you up?"

"No, miss, she nah leff werk so soon and mi want fi go back a mi yahd." Alright, alright. I gave her the equivalent of $10 U.S., more than enough for a route taxi ride home and a snack for the road. She mumbled a "Tenks,miss," then glanced at the girls, jutting her chin out and up toward them. "Likkle more," she smiled. And she headed up the path toward the gate out to the road. Gone.

It wasn't long after that I got a call back from Denise. She was upset but also embarrassed -- she had never given Nadine permission to come check us at the beach today. In fact, she hadn't seen Nadine for nearly 3 days. "She run off, she a chobble mi so, Veek-toddy-ya. Mi nah know wha fi do wid dat pickney." She shared tales of more-than-typical teenage rebellion, tales that would curl your hair. She was worried and also disappointed to know that Nadine had just slipped through her fingers. If only we had known. I promised we would "hole her dung" and call again if Nadine resurfaced.

Dayam.

After hanging up the phone, I glanced around the cottage and noticed that something just didn't feel right. I went into the bathroom and noticed some small cosmetic items and toiletries were gone or, at the very least, not where I'd left them. And tucked into the corner of the bathroom, rolled up into a ball and stuffed behind the door, was my blue-flowered bikini, soaking wet. It left a large puddle on the floor.

So Nadine had a swim at the beach after all. If she'd asked me if she could borrow a suit I'd have gladly loaned her one; I was annoyed that she'd simply sneaked off into the bathroom and slipped on one of my suits without asking. She then had simply put her own clothes back on over the bathing suit and went to "tek one walk pon de beach." Pretty clever for an Empty Guester.

It soon became clear that Nadine had helped herself to a few more of my things -- a white linen blouse, a black camisole, and a pair of camouflage pants, all of which were now missing. I suppose she didn't steal the bathing suit because it was too wet to stuff into her bag with the other things.

But she had no bag. She was an Empty Guester. No purse, no bag, no towel. How'd she carry off so many pieces of clothing and toiletries?

Brows furrow.

It was much later in the evening that Nadine did resurface. She had, in fact, been carrying a very sizable backpack while on the road for 3 days, and she'd stashed it in the utility bathroom adjoining our parking lot. One of the groundskeepers tipped me off, after spotting her darting in and out of the tiny shack. I found my missing clothing shoved into the bag and dutifully retrieved them, feeling sad and angry.

The Empty Guesters always got under my skin. But I always tried to check myself, to try and put myself in their shoes and be more gracious, knowing that I lived a privileged life in comparison to most people I've met in Jamaica. It's a fine line to walk: am I a sucker if I open my home and my wallet? Am I selfish if I don't?

The Bikini Bandit put me to the test that day. She didn't strike me as a "sufferah", someone plagued by bad luck or bad choices. But what did I really know about her life? Not much. I got my things back, the day hadn't cost me much and I ultimately helped return her to her parents. So now my reclusive shell has become a bit thicker as a result and the other Empty Guesters will have a tougher time when they next cross my path. But it is Nadine who I worry about more, not myself.

Brows furrow.

Bikini Bandit
ink and watercolor on paper
Print available here.

Wednesday, October 10, 2007

Less is More



I've resisted the urge to do more to this painting. No layering, no blotting, no nothing. She looks clean and wet and translucent and fresh.

Know when to hold 'em, know when to fold 'em

Less Is More
Ink and watercolor on paper
Print available here.

Saturday, August 11, 2007

Love Birds



This is a wooden carving which sits at the base of a seagrape tree on the beach front of Whistling Bird, two carved birds.

I'm afraid I don't have a good love story to go with this painting -- but give me a few more weeks, there may be one yet.

On second thought, I may have to wait until next year to tell it. If at all...........that's the way love goes.

Love Birds
Ink and watercolor on paper
Print available here.

Wednesday, August 08, 2007

John Chewit, Nanny and the Out House



John Chewit
Ink and watercolor on paper
Print available here.

I assumed he was a figure in Jamaican history. John Chewit, it sounded like a proper English "genkle-man". We'd stayed in the cottage bearing this name countless times over the past several summers at Whistling Bird and are again this summer. This is the view of our verandah, as we turn down the path from the main gate. I never gave the cottage names much thought and was actually most happy not to have a complete understanding of the world around me.

For a change.

As I've noted previously, I often don't really have a clue, when I'm in Jamaica. A complete fish out of water when it comes to figuring out the finer points. At home I read the newspapers and news magazines obsessively, watch the news, read blogs online, try to keep up with current fiction and so forth.

But in Jamaica, I am almost relieved to just give it all up. Throw up my hands and surrender to incomprehensison. It IS calming not to have to know what's going on at all times. Ignorance IS bliss.

In my defense, I am quite adept at understanding patois, tho' pretending to be quite ignorant of such. Very helpful. And I did quickly figure out that "lend me a nanny" literally meant "give me 500 Jamaican dollars" because the 500 dollar note had an image of Nanny Of the Maroons, treasured national heroine, imprinted upon it (read more about her here: http://www.moec.gov.jm/heroes/nanny.htm). It is often MOST beneficial to understand what you can, obviously, but feign ignorance, lest one be completely lead astray.

I'm not one eediot, of course.

So back to John Chewit.

When our firstborn was just a toddler, we stayed out in the yard in Sav-La-Mar, rather than stay at Whistling Bird, or any other place in Negril. We had our own one-room, little board house at our disposal. We had a single bare lightbulb, no indoor plumbing, of course, and we had to hastily nail some loose boards across the opening to the front door just so our little one wouldn't stumble out and drop the 2 feet or so to the ground below.

We had to walk to the very back of the yard to use the outdoor shower, which was really just 3 pieces of barely vertical zinc, surrounding a rather meager shower head atop a skimpy pipe. Likewise, for the outhouse, which was a frightful destination after dark. I once approached it in the pitch of night, flashlight in hand, only to find it surrounded by belching bullfrogs. I tiptoed amongst them, pried open the squeaky wooden door only to find several more INSIDE the actual house, including a very bold fellow aggressively belching from his position upon the seat itself.

A determined stamp of my foot didn't shoo the bulging, slimy frog off his perch. Rather, it only caused him to leap directly INTO the hole of the pit itself, right through the seat, waiting for me to continue on my mission. I never used the outhouse after dark again. I'd rather squat behind the house in the bushes.

And when we had our second child, I succumbed to the lure of finer accommoodations in Negril. I just didn't feel like camping out anymore. It was fine when it was me alone, but for the few weeks I had to travel each year, presumably on VACATION, I decided I really didn't want to rough it with two small children.

So it was back to the beach, and a cottage at Whistling Bird. The property is lovely, lush and naturally landscaped. Not covered with concrete and manicured grass. It is almost a quiet, small jungle. We all squeezed into a one-room cottage that first year, sharing a bed with one child and setting up the other in a portable crib. The cottage was called Banana Quit.

To me, it sounded like the name of a luscious tropical dessert. I'll have one thin slice of Banana Quit, please, with coffee, hmmm?

For several years after that we stayed in Nightengale, which had two rooms and was more comfortable. It was after several years in Nightengale, the girls grew bigger and ours stays grew longer, before we moved up to the much larger cottage of John Chewit. We had much larger rooms, a screened-in porch off to the side, and a kitchenette of sorts with a mini-fridge and countertop with a sink on the verandah. We pack a couple of hot plates and haul a coal pot out from the country and we're good to go, cooking up a storm or just making a morning pot of bush tea at breakfast.

And after 16 years, I still wasn't hip to the pattern. Clueless, as usual.

The cottage names struck me as so very odd and eccentric. In addition to those I mentioned - John Chewit, Banana Quit and Nightengale -- there were also Night Heron, Cling-Cling, Parrot, Aunty Katy, Petchary, Tananger, Parakeet, Doctor Bird and Jacana. Seeing them all in a list, perhaps, makes it so easy.

The sharper tacks among you will now see that John Chewit is, of course, hardly a proper English genkle-man. He is, rather, a simple bird, as are the rest of the characters proudly adorning the name plates of the cottages at the W.B. -- it is the Whistling Bird, after all.

Don't think I'll be ordering a slice of Banana Quit any time soon...........

Monday, July 02, 2007

No more unfinished symphonies



I didn't think I was going to find a resolution for this painting. I'm not crazy about the composition -- I'd intended to incorporate much of the environment around him but ended up going with a more abstract treatment instead. But I do love the colors. I glazed the shirt with a warm yellow to help integrate it with the other colors a bit more.

It's been an unpredictable progression....





Cropping can change everything. I think I'm going to experiment with framing this painting (cropping it) a few different ways. I like this view ............




"No More Unfinished Symphonies", 12"x16" ink and watercolor on paper $250


Monday, June 04, 2007

Lobster Claw - no shells! A Workshop Exercise...


I've been working on some materials for the Watercolor Workshop this summer and made this painting of a beautiful Heliconia flower, aka Lobster Claw. I painted it as an example of Wet-on-Dry glazes. That is, the paper is dry, not pre-wetted, so the paint tends to hug the paper, stays pretty much right where you place it.









If you take a close look at portions of the painting, you can see the layered glazes. I worked from a lighter glaze first, which is typical for watercolor work, then let them dry. I often have to work on several paintings at one time, putting one aside to dry and working on another until I reach a similar stage.





Looking closely, you can see which layers were placed first, such as the pale yellow and very pale green. These were followed up with the deeper orange, then the red, for the flower itself. Likewise with the greens -- stronger and deeper greens were glazed over the initial pale layers.

Friday, June 01, 2007

Here's Another Interesting Progression

I've drawn dozens of pen-and-ink line portraits this year and have slowly begun to push them further along with watercolor. I've shared just a couple here already (Shara, Tasha, Jube) and have some more today.

I find it a a real eye-opener to take the black and white line drawing into a different place. The addition of color is not always successful and it often exaggerates what may have been slightly "off" in the original drawing. Then again, it can also give a rather simple sketch some real punch. Never knowing where I'm going to end up is both exciting and terrifying -- I'm constantly in fear that I'm going to "wreck" something that was perfectly acceptable in its original state.

But risk taking has its own rewards.

I drew two different line drawings of the same subject, the first was done with a rapidograph ink pen which has a very controlled flow to the ink:





So I laid down a preliminary wash on this one -- it was looking ok:




And then I kept on glazing and laying down colors. And I'm afraid I may have totally overworked it. I don't know if I can salvage it. I may have to do the old run-it-under-the-faucet routine and see what happens. It's just too overworked at this point BUT there are portions of it that I like:



So I put it aside for a while, just to have a fresh start with something else. And I took up the second drawing I'd made of the same subject.The second was done with a bamboo pen dipped in ink and the result is much greater variety in the line, it narrows and thickens and even disappears in places:



I tried to take a much lighter hand to this one, having learned something from the first version. This one is much more pleasing, tho I still have a few areas to work on:



Much more fresh, no? So totally screwing up a painting was worth it, because it freed me up to try something different with the next.

Thursday, April 19, 2007

Jube Redux



I know I haven't posted much these past two weeks, because I've been spending time working on some much larger paintings than the typical 4"x6" smaller portrait series. They take considerably more time to complete.

This is another portrait of our friend, Jube. I'd painted a portrait of Jube when I first started the blog back in September. It was a 4"x6" and was quite somber. I think this larger portrait, 12"x16", captures much more of the light and colorful energy that typically surrounds him.

At least on his good days......................

Jube No. 3
Ink and watercolor on paper
Prints available here.



Wednesday, March 28, 2007

I Heard It Through The SeaGrape Vine




"Yuh lookin fi Peter, right?"

I stopped dead in my tracks and stared at him. His face looked familiar but how could it be, really? I'd been to Jamaica just once before, a month earlier, and didn't recall meeting him. He was tall and thickly built, his skin an inky black, and his sun-bleached dreads gathered high up at the back of his head. I had no idea who he was. But he knew me.

I nodded, yes, I was hoping to find Peter.

"Yuh jess miss him, gwan and check pon di beach, check fi him at Club Kokua."

I stared at him. He smiled slowly and said, "Yuh nah remembah mi?" Nope. But there was something kind and gentle in his face, I knew he was just trying to help me out. I thanked him, and walked out of Xtabi on the cliffs, and hailed a taxi back to the beach. I was mystified.

I'd spent only one week in Jamaica on my first visit and let Peter know I was coming back, we planned to link up. I wasn't sure where I would be staying and so counted on the small-town nature of Negril to make sure our paths crossed. These were the days before every Negrilian carried a cell phone in their pocket, these were the days when nobody needed a phone to get a message out or to find a friend. And these were the days when everybody knew everybody's business -- or at least thought they did.

It was many years later, after Peter and I were married, our eldest daughter was two years old and we were expecting our second child, that I re-told this story to Cleveland. We'd become good friends over the years and he always spent time with us when we returned to the island. He smiled and nodded, yes, he remembered seeing me step onto the terrace at Xtabi and searching the crowd. He remembered me and knew Peter was looking for me, too.

That day was one of many that made me realize what a small town Negril could be and how closely people pay attention to who you are and how you move and how very tough it can be to slink below the radar.

Cleveland motioned me to follow him as he stepped off the verandah, away from the crowd that always gathered at our cottage. He walked slowly across the grass and stopped, pulling his wallet out from his back pocket. He pulled two, slightly worn color photographs from deep within it's folds and handed them to me. One was of a dark-haired, smiling girl with coffe-color skin. She looked to be about 4 or 5, and the other was a very young baby, clearly the other's sister, with a shock of black hair on a tiny wizened face.

"These are my dawtas," smiled Cleveland. I was stunned.

"What?? I had NO idea you had kids, Cleveland. They are beautiful. Peter never told me you had kids."

Cleveland kissed his teeth -- "He nu know 'bout dem." Stunned again. Peter, one of his closest friends, didn't know Cleveland had kids? How could that be?

"Their mom live in the States, mi know her lang time, he know she. But mi no tell everybody 'bout mi bizness." He then permitted me to share the pictures with everyone else and happily soaked up the delighted responses and smiles they elicited from the group.

So, I wondered, why tell me? And why now? He'd sure manged to guard that secret for a long time and from a lot of people. The SeaGrapevine never picked up that scrap of news.

I think because we were so happily returning to Jamaica with our daughter, who brought such joy and laughter wherever we went, and with a second child on the way, it gave Cleveland pause.

He'd mastered the art of subverting Negril's CIA-like informers, the SeagGrapevine that carried everybody's stories up and down the beach. But at what cost? Thankfully, he'd paid the price long enough and finally found the pleasure of sharing his secrets.

Well, maybe at least one of them.........

I Heard It Through The Sea Grape Vine
Ink and watercolor on paper
Print available here.

Monday, February 05, 2007

Hurry up and wait....at The Pelican Bar



I guess there couldn't be a better place than a cozy bar, smack in the middle of the caribbean sea -- too bad I'm in cold NYC instead.

And I'm waiting. And waiting. And waiting.

You know how musicians are. Sigh.

But I have a trove of small portraits waiting in the wings, and as soon as their orchestral accompaniments are sent my way, I will share them.

More patience.................

Pelican Bar No. 1
Ink and watercolor on paper. 
A print of this painting is available here.

Friday, January 12, 2007

Clash of the Not-So-Very Titans



I've always had a soft spot for Flash. We've had our squabbles, our out-right wars, but in the end we know that we're stuck with one anudda. He's my brother-in-law. And after 15 years I think we've finally settled in to an easy, warm friendship.

And Flash has also become a steady fixture at our cottage when we spend time in Jamaica. Much to Rudy's dismay.

Although Flash lives in the family yard in Sav La Mar, he is often stationed on Negril beach, "a werk 'im a werk". Lord knows where he sleeps at night. All I know is that when I get up early in the morning to make myself some coffee, Flash is already out on our verandah, heating up a pot of water for morning tea or cleaning callaloo for our breakfast. Rudy, on the other hand, will still be asleep on a beach chair that he'd drawn up in the shade, still wearing his shoes.

They each adore Peter, the definite alpha male of the larger community of bredren. They are his foot soldjahs and, I think, silently vie for top lieutenant status. Ok, well maybe just reaching the rank of Corporal is the most they can hope for. In typical yardie fashion, each receives a verbal bashing at full volume for the slightest infraction -- not setting the fire right, not cleaning the pots thoroughly, not sweeping the verandah first thing -- the list is endless, perfection is always beyond their grasp, at least in the eyes of their commander.

Yet they each know they will be well cared for under the commander's watch -- food in their belly, the occasional fresh shirt, jeans or new shiny boots hurled at them when they least expect it or the invitation to hop in The Unit for a drive to 'town. Life is fresh and exciting when we come to visit and they don't want to miss a moment.

But they still have to "werk."

One morning, a fellow guest at the Whistling Bird was up at the bar getting coffee. Rudy overheard her complain of an itchy skin condition, whether it was from sun or bug bites, I can't quite recall. Seeing an opportunity to assist AND earn, Rudy offered to make her up a special Natural Salve to cure her ills. She gratefully accepted. Rudy hustled back to our cottage and asked Flash if he knew how to whip up some special Aloe and what-have-you concoction for the specified ailment.

Flash, after all was the real country man who knew the how-to's of bush medicine, and Rudy, well, Rudy was more of the advance man, as it were. Flash offered his own suggestions and went about collecting the appropriate bush with which to make the medicine. He whipped up the salve, in a gooey aloe base, poured it into a jar and gave it to Rudy. Flash went back to working on our breakfast while Rudy casually strolled back up to the beach front.

You can see where this is heading.

Rudy helped the woman apply "his" miracle medicine. It provided much relief and the woman graciously offered Rudy 500 jays, a little less than ten bucks. A werk 'im a werk, every dollah helps.

And Flash felt the same way. Flash is no fool, it didn't take him long to figure out that Rudy was sure to come into some cash for the miracle medicine and he wanted his cut. That's when the fireworks began. A cut of ten dollars may not seem like much to you or me, but to the hardscrabble hustle on Negril beach, that is apparently something worth fighting for.

The shouting and the cursing escalated, the "bumbaclaats" lobbed back and forth, followed by threats, insults, the usual. The melee traveled out to the beach front of the property and, unfortunately, dear Jim, the owner of the Whistling Bird, finally had to step in. He's always been gracious about accommodating the cluster of bredren that typically spend time on our doorstep throughout our stay. They, in turn try not to step on any toes or hassle the guests.

Except for that day.

And the shouting and yelling and overall carrying on was beyond the pale. When it threatened to turn violent, it frightened the other guests. And remember, this was all about splitting ten dollars. Who deserved it, the hustling salesman, without whom there would not have even been a sale? Or the knowledegable bush doctor, without whom there would not have been a cure? It's not for me to say.

I'd gladly give them each ten bucks to just be quiet and stop them from pummeling one another or drawing blood. But this was Jamaican male turf and I knew better than to stick my nose into the middle of their business.

Thankfully, in every Jamaican tragedy, there often lurks some comedy. A bit of black humor, as I saw it. Jim later told me, after sending both men on their way, unbloodied but with the issue still unresolved, "One was waving a knife, and the other was swinging a plastic soda bottle."

He sighed and shook his head, "It just wasn't a fair fight."

Souljahs in Jah's army, still Privates, first class.


Clash of the Not-So-Very Titans
Ink and watercolor on paper.
Purchase a print of this painting here.

Thursday, January 11, 2007

Rude Bwoy



I don't have a good story about Rudy today -- I have a hundred good stories about Rudy. None of which he'd probably like me to share with you.

Our constant companion from the minute we arrive in Negril, Rudy has become like a member of the family, albeit the black sheep. I'm told that Rudy used to dress sharp with "shiney genkle-man shoes an' trousahs well pressed an' neat", but lately Rudy looks like a hundred miles of back-country road.

In the wake of some rather poor "career" choices, the consensus among the bredren is that Rudy is "wert-less" and "his brain bun out". Still, no one gives up on Rudy, hope springs eternal. My husband harangues him and brings him new clothes, insults him and loads his plate with double helpings, bought him a cell phone and makes him do the heavy lifting when we unload our bags.

Sometimes it makes me cringe. When I ask my husband to fetch me a drink from the bar or refill the ice pitcher, he sends Rudy. When the girls agree that jerk chicken is what they'd like for lunch, Rudy makes the trip up the boulevard. And when Peter tells Rudy to fetch him some brown stew chicken from Noah's but Rudy returns with escoveitch fish, guess who gets a slap upside the head and tirade of insults about his mental capacity? But then settles down on the verandah when Peter shares out the food with him.

It's an odd relationship.

"Petah come like mi bredda," says Rudy. "He more like mi family than mi real breddas."

But Peter has brothers. Many, in fact. And tomorrow I'll show you one in particular and share the story of Rudy's clash with Flash.

Rude Bwoy
Ink and watercolor on paper.
Purchase a print of this painting here.

Tuesday, January 09, 2007

Shades of Grey



"Mi cyan't find mi sista cell phone. A wheh it deh?"

We were driving back to Negril after spending the day in Sav La Mar. I had no idea where the cell phone could be. I had no use for it myself. This was the first year cell phones began to pop up all over Jamaica and I hadn't quite gotten used to the idea that you could actually reach someone without resorting to the rural grapevine. Which was, incidentally, a remarkably reliable method of contacting folks.

Frighteningly reliable, now that I think about it.

But cell phones had arrived. We'd actually brought this particular cell phone down for Felicia just so that we could stay in touch with the family directly, rather than depend upon the sole neighbor who owned an actual land-line phone. A cell phone became THE prized luxury accessory of the season, better than a gold chain. Even if you had no battery charger to keep it functioning, hell, even if it had no battery aTALL, wearing a cell phone prominently clipped to your pants waist was even better than a new pair of Clarks.

And ours was missing.

"I dunno," I said, "are you sure you left it in the car?"

"Yeah, mi leff it dehsoh," my husband said, pointing to the well behind the gearshift box, between the seats. "An mi mine tell me," he said, tapping his finger against his temple, "NAH let Sticks inn a mi cyarr -- { sound of kissing teeth} - but mi let him a move it, mi let him put di cyarr inna de shade," {more kissing of teeth} "mon, mi know 'im a tek mi phone outta mi cyar."

"Sticks? But I thought he's one of your friends? He wouldn't take your phone." I was a little puzzled by this conclusion.

"Yeah, mon, mi know Sticks lahng time, he a grow up amongst we, mi know him since we a likkle yewt. And he's a teef. He always been one likkle teef."

We drove silently for a few minutes.

"Mi guess he the man who tek the cigarette lightah fram the cyar, too." We'd noticed that the car's cigarette lighter was gone after our last trip to the country. " Mi nah know what he cyan do wid dat lightah, it cyan't werk pon it's own, not widout de cyar," he chuckled.

"Well," I said, "perhaps he'll steal a car to go with it." I rolled my eyes.

I was still trying to digest the fact that my husband was so matter-of-factly accepting the notion that his friend stole from him. It annoyed him, but didn't seem to surprise nor upset him much.

"But we just spent the better part of the day with Sticks", I said. "We fed him and the other guys, and we all sat on the verandah eating a meal together, and now you're telling me he's a thief? But he's your friend? He's a thief AND he's your friend?"

Although my husband knew better than to call me "one eeediot", he shot me a look that said essentially the same thing.

"Mon, sometimes you look like yuh jess nah know wha-gwan," my husband said -- {more kissing of teeth, which is the equivalent of a new yorker rolling her eyes}.

I had to admit that, frankly, he was right. When in Jamaica, I just never really DID understand what was going on, particularly when it came to the rather fluid boundaries of friendship.

"Next time, jess nah let Sticks inna de house, seen?". Next time? So we were still friends with Sticks, but with necessary precautions. Alright.

Sometimes I just wished the good guys would wear white hats and the bad guys would wear black, just like in those old politically-incorrect westerns. That's me all over, I'm afraid. I've been told I tend to see things in strictly black and white terms, but Jamaica, contrary to it's turquoise waters and emerald hills, is really just a whole heapah shades of grey.

Shades of Grey
Ink and watercolor on paper.
Purchase a print of this painting here.

Sunday, January 07, 2007

Menage a trois


Let me introduce you to Mr. I Love Your Skin Color. Or, well, Junior.

"Yuh know, mi nevah like di skin of a black ooman. Mi always like the nice creamy, soft skin of a white lady, seen?"

Nancy wasn't buying it.

She liked Junior, she'd been seeing him over several months during frequent trips to the island. A woman of a certain age, Nancy was smart, wisecracking, and came from a cold, woodsy rural town of the northeast. And her skin WAS the color of porcelain, and so was her extensively bleached hair. She chain smoked, observed the runnings of Negril beach from behind large thick-lensed glasses, and had an unexpected sophistication lurking beneath a casually disheveled appearance.

I liked her instantly.

She shared this rather disturbing "compliment" with me shortly after we first met. I liked Junior, I still do. I didn't know him well but he was hard not to like. He had an easy smile, was quite pleasant, and always seemed to be on the move, working and hustling, in a good way. And he was kind to Nancy.

But that remark gave us both the creeps.

She was having a good time, but was decidedly skeptical about the long-term prospects of Mr. I-Love-White-Skin. She'd learned of a Baby Mudda inna the bush, who was presumably Not An Issue, or so she was told. But still, her gut told her perhaps there was something, or some one, else which just might be an issue. She just couldn't put her finger on it.

So she took some investigative action.

It was several months after our return to the states before she gave me an update. She'd done some snooping around Junior's belongings and found the quintessential black book. It was the size of about 4 postage stamps, crammed full of scribbled numbers and names.The most recent entry was a name and phone number of a woman from a mid-western American city. So, Nancy says, I called "the numbah." She started to chuckle.

Seems the numbah belonged to a black American woman, whom I'll call Marie. She had also been a frequent visitor to Jamaica and they began to discover how much they had in common. Seems Marie had heard a variation on the I-love-your-skin theme but with the obvious twist -- "Mi jess cyan tek the white lady skin, mi always luuuuv the nice brown skin of a righteous black ooman," he'd told her.

So at least Junior doesn't discriminate after all.

But it was probably that false expression of desire that angered them more than a straightforward case of infidelity. They were grown women, they knew that international dating was not a sure thing and their expectations were not ridiculously high. And so rather than see themselves as enemies fighting over a man, they bonded as sisters in a sham, pissed off at the false profession of love. Cheatin' vs. lyin', well maybe it was a distinction without a difference. Still.

They made a plan.

Now mind you this was in the days before cell phones, but just at the dawn of such wonderful features as call waiting, star 69 and the all-time favorite: 3-way calling. Nevertheless, if you wanted to reach someone in Jamaica who didn't have a phone, which was just about everybody you were likely to meet, you either had to wait for them to phone you from the Call Box down the lane, or you could call a third party who had a phone and they would get the word out that you were trying to reach someone. So Marie put a call out to Jamaica that Junior must give her a call back. Word soon reached him and he dutifully called Marie at the designated time.


After the initial pleasantries, the how-are-you-darlin's, the mi-miss-you-so-much and the mi-cyan't-wait-fi-see-you, Marie told Junior she had someone with her who wanted to speak to him. A few clicks and a beep or two and Nancy was also on the line. And as far as Junior could tell, it sounded as if they were not only both in the same state, but both in the same house, sharing the same phone.

Ahh, the telephonic threesome. It's a beautiful thing.

Menage a Trois
Ink and watercolor on paper.
Purchase a print of this painting here.

Wednesday, December 13, 2006

Rasta Boy - Painting in Progress- 11"x15"




This is a departure from the usual daily painting portrait. This is a much larger work in progress, based upon an earlier study posted on the blog. Now that the holiday season has descended upon me, I'll be taking a brief respite from the daily 4x6 paintings as I work on pieces for friends and family and commit more time to larger works such as this one.

I'll still be posting something fresh every weekday, but will be mixing up the material for the next couple of weeks. Don't know what the new year will bring but the daily painting blog will continue.............stay tuned!

Monday, December 11, 2006

Something was not right



The first time I met him, he was with his mother and older brother. She introduced herself as Empress Shaniqua, and presented her two young sons to me as Prince Elijah and Prince Iwon. I had to respect the attempt to present herself with great dignity, given that her clothing was sunbleached and threadbare, the princes wore no shoes, and they all lived in a small board house on a remote mountain top, without indoor plumbing.

Well, it WAS her palace and she WAS the resident Empress. And I guess every mother would call her sons "prince." It just seemed as if Empress Shaniqua took it one step further, and insisted that we all address her and the little boys with their formal titles.

When I returned a year later, the Empress was no longer in residence. Seems she was a city girl from Town who eventually came to the realization that rasta life inna country yard was not really her cup of tea, royal title or not. She took one prince, and left the younger one with the Ras.

And she cleaned out the savings account before hopping on the last minibus for Kingston.

So the Ras was left with this little Prince, who clearly had a problem.

My first thought was that the little boy had perhaps suffered some form of birth defect. But I didn't remember him looking like this the last time I'd met him. I don't think it's politically correct to say "mentally retarded" these days, but I must honestly admit that's exactly what I was thinking as I watched him move about the yard. He looked up at us with half open, heavy-lidded eyes; his jaw was slack and he tended to drool.

The Ras clearly had his hands full. As we spoke, he slowly began to talk about the Empress and what they discovered about their youngest prince. He had become progressively worse over the past year, his physical symptoms slowly worsening to the point that a formal doctor had finally been consulted. Actually, I think it took several different doctors before they pinned it down.

The diagnosis: Myesthenia Gravis

Myasthenia gravis, according to what I've read, is a chronic autoimmune disease characterized by varying degrees of weakness of the voluntary muscles of the body. It is typical for such muscles as those that control eye and eyelid movement, facial expression, chewing, talking, and swallowing to be adversely affected.The disease is most debilitating if the muscles that control breathing, the neck and limb movements are affected.

When we next visit the Ras and the little prince, I hope we'll have some information about new treatments for the disease.

And I'll remember not to judge a book by its cover, royal title or not.