Everything Is Still Grim

Pandemic Portrait No. 11

9" x 12" charcoal and ink on paper

Prints in various sizes available here.

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Dreadnought - Dread Knot - Dreadlock

Dreadnought: a type of battleship armed with heavy-caliber guns in turrets: so called from the British battleship Dreadnought, launched in 1906, the first of its type.

Yep, that pretty much sums him up.

Dreadnought - Dread Knot  - Dreadlock 
9”x12” charcoal on paper
Prints available here.

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Engagement At Haystack Rock

I recently received a wonderful request: to commemorate a memorable moment for a couple, which would be given as a birthday gift. I've no familiarity with this spectacular scene, "Haystack Rock" in Cannon Beach, Oregon, but I learned quickly!
The request was to create a painting in the style of my pen and ink renditions of many New York City scenes - Brooklyn Bridge, Guggenheim, CBGB's, Central Park Vendor, Chrysler Building.

My customer was pleased and sent me this photo of the framed painting - thank you!

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Regrets/No Regrets....High Top Fade Always in Style

Man No. 3

5"x7" ink on paper

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#BlackGirlMagic

"Magic"

9"x12" pen and ink on paper

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Sketchy

"Ruffle Collar"

9" x 12"  pen and ink on paper 

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Putting the Custom back in Customer - Part 3 of 6

Next up in the commission series - this daunting landscape of a small city in Italy. Anyone recognize it? It reminds me of Florence but I don't see that iconic dome or any sign of the Arno River. 

My client decided that this photo would be another of the 3 to be recreated in black and white, no watercolor. First, I de-saturated the image so I wouldn't be distracted by the color and applied a grid to the picture. As before, this helps me digest the scene in smaller bites and keep the proportions in order.

I used photoshop to tweak the levels of dark to light, this helped me see more detail by exaggerating the lights and darks.

I again applied a light pencil grid to my paper and dove right in. 

Here's a close-up:

Last step, applying layers of ink, thinned with water, to create volume. Here's the final image, cropped to 9"x12." There wasn't a singular focal point in the original photo, it was rather flat, so it was a challenge. Still, I think the end result is lively and interesting. What do you think?

Next up, the Italian country side in living color……..

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A Better Face BOOK - Volume 1

Next up in my handmade tiny books -- a collection of some of my most popular pen and ink drawings, the Loosey Goosey portrait series.

There are 14 miniature prints in all, assembled accordion-style, just like my previous tiny book, NYC H20.  I printed the drawings on archival art paper, and fashioned the covers out of chipboard, covered with hand-made paper from Thailand.

I think between the two photos here. above and below, you can see just about every image that is included, save one - guess that will have to be a surprise.

This tiny book is secured with a slim leather strip fastened to each cover:

Signed and numbered inside the front cover, I've assembled a limited edition of 25. And yep, these are tiny, 2.5" x 3."

Available for purchase here.

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Little Book of NYC H20 - Plus, How To Make a Tiny Book!

I couldn't pick out a favorite among my two dozen or so water tower sketches and thought it would be ideal to collect them all in a miniature book;  you don't have to pick a favorite either, collect a dozen in one fell swoop!

NYC H20 Mini Art Book

2.5" x  3" Handmade paper cover and archival art prints, with leather tie strip

 I've made a limited edition of these mini books - 25 in total. Each is signed and numbered inside the front cover.

Here's a quick at-a-glance reference to show you each of the prints that are included in the book:

 A lovely handmade treasure for yourself or you favorite New York-ophile:

I'd never made a mini-book before, or any kind of book for that matter. But was inspired after coming across this terrific volume, with a very straightforward title:

The accordion-style book seemed to be the perfect "starter" for a new book maker like me, since there would be no need to actually "bind" the book with a needle and thread.  I turned to that section and saw several options and suggestions:

I decided I'd make my first attempt just using inexpensive materials since I was bound to screw it up the first time around. No sense wasting my lovely handmade paper from Thailand and my archival prints on my first effort. Let's just make a down-and-dirty cheapo version first, to make sure I get the process right.

So I decided to follow the plan at the bottom of the page, the H-I-J folds and cuts. I used photoshop to lay out miniatures of some of my pen and ink drawings and just printed them out on regular plain paper with my regular printer. I had the foresight to number the images since I wasn't quite sure where they would appear in the book after the folding, cutting and re-folding took place.

Then I cut according to the instructions in the H-I-J steps:

So far, so good, I'm thinking.......

That is, until I folded it according to the instructions - and some of my lovely ladies were upside down!

See? I knew I would screw something up the first time out of the gate. So I checked which numbered images ended upside down and re-arranged the images in the print file. Seems I had to turn the top row and the third row images upside down so they'd come out properly in the accordion fold. Duly noted! 

So let's try this again:

Ok, I didn't take a photo of the next step, the re-folding, but trust me, everybody is now right side up:

Next, cut two pieces of chip board to be used as the "cover." I cut them just slightly larger than the pages:

But before I  go to work on those covers, I had to make sure those folds will really hold. I placed the accordion under a very heavy book for several hours:

What better weight than "The History of Art?"

Meanwhile, back to the covers. I knew I wanted to use the lovely handmade paper from Thailand that I had purchased in large sheets. But again, my test book was going to use something more pedestrian, so I could get the process right. My daughters had some decorative papers in their stash:

It was a bit heavier than the papers I planned to use so I affixed it to the chipboard with some rubber cement. A bit messy and probably not the best adhesive for the lighter handmade papers. But for now, it would work.

Cut the paper and trim the corners so they'll fold more easily:

 I wasn't too worried about sloppy edges -- the first panel of the accordion would be adhered to the cover and would make a neat and clean inside page. So my prototype taught me a few things:


First, I realized that I wanted to make sure the first and last panels on my print page of images were blank; I didn't want an image immediately inside the cover but would leave that space blank for my signature and the edition number.

Second, I decided to use much more lightweight papers and would need to affix the paper with something other than rubber cement. 

Third, how would I keep the book closed? I'd seen other books that used a thin leather strap but realized I needed to insert two lengths of the strip in between the cover and the page of the accordion. Doh!

Ok, so now I went ahead with my high-end versions, happy to have made my mistakes on the prototype first.


I pre-cut strips of these beautiful papers -- hand-made in Thailand from mango and/or banana leaves:

But instead of using the rubber cement adhesive, I used this acrylic gel, inside and out. The gel served both to fuse the chipboard to the paper and also to seal the outside and make it more durable:

And this time, I made sure to insert two leather strips just inside the front and back panels, before affixing the accordion to the covers:

And voila!

I deliberated a while about giving it a title  -- NYC H20 seemed perfect. I printed the title out on translucent adhesive sheets and finally, I was done!

NYC H20 Mini Art Book

2.5" x  3" Handmade paper cover and archival art prints, with leather tie strip

I hope you found this tutorial useful -- two more editions of books are in the works, stay tuned!

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Taking Pen to Paper, Part 1

I decided to take a break from my oil painting series of subway riders and embark on a new series of strictly black and white, pen and ink drawings. 

But my work area was a disaster.

So, first step, clean up my drawing area. Even Goose thought it was an improvement, more appealing than his usual perch on the windowsill:

Next, gather my materials:

My favorite bamboo pens:

Plus a variety of nib pens:

My trusty eye dropper:

India ink, of course:

Containers and a spray bottle of water, plus some blotting tissue:

And a  4" x 6" block of Canson watercolor paper, plus several 4" x 6" hand-cut pieces from a larger sheet of Canson paper:

Then I called up some of my own photos on my computer for reference - 

And then I went to town, using a variety of pens and techniques, even adding washes of ink with a brush to some:

About 34 in all by the time I was through:

The question is, what next? Do I offer prints? Or Mounted Prints? Or something completely different?

Stay tuned for Part 2.

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