The national bird of Jamaica, the Doctor Bird -- aka the swallow-tail hummingbird. The males have two, long-flowing tails.
First, the charcoal sketch -
Next, washes of color, the hot mess --
Then more layers of paint -
I'm actually pretty pleased with it at the stage but you can still see traces of my charcoal grid through the glazes. This paint thinner I have to use down here is not as good as turpentine at creating a nice consistency of paint. It's crapola.
So, I still layer on more paint. Loving the color combinations --
ok, so more paint......
And done! My new favorite --
And here is where he will be hanging, Doctor Bird cottage at Whistling Bird in Negril ,Jamaica.
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Saturday, June 30, 2012
Friday, June 29, 2012
Jacana
Here's the next progression of in my series of bird paintings -- the Jacana, a tropical wading bird, with enormous clawed feet.
First step, charcoal sketch -
Next, the hot mess stage, color washes every where:
I was using some photo references that showed the bird in a tangle of leaves, but since it's a water bird, I decided to add some ocean --
More paint -
And a little bit of reedy water business along the bottom --
The jacana has a very odd yellow cap on its forehead, almost looks like a duck bill just pasted there:
Finishing up, some glazes across the sky --
Sorting out the reedy water business -
And done!
And this is where Jacana will ultimately live - Jacana Cottage at Whistling Bird, Negril.
First step, charcoal sketch -
Next, the hot mess stage, color washes every where:
I was using some photo references that showed the bird in a tangle of leaves, but since it's a water bird, I decided to add some ocean --
More paint -
And a little bit of reedy water business along the bottom --
The jacana has a very odd yellow cap on its forehead, almost looks like a duck bill just pasted there:
Finishing up, some glazes across the sky --
Sorting out the reedy water business -
And done!
And this is where Jacana will ultimately live - Jacana Cottage at Whistling Bird, Negril.
Thursday, June 28, 2012
Wednesday, June 27, 2012
Tuesday, June 26, 2012
The View from Here
When I stand in the sea, this is my view -- beautifully lush and green:
Sea Side No. 1 SOLD
4"x4"x1.5" oil on hand-cut cedar wood block
Ready to hang:
Monday, June 25, 2012
Bird Interregnum
There are those among you who think I should not waste my time with flowers and fronds (you know who you are) but I shall persist ......
Before:
Croton No. 23 $85
4"x6" ink and watercolor on paper
Saturday, June 23, 2012
Friday, June 22, 2012
Thursday, June 21, 2012
Blockhead
I knew that painting by birds every day would get a bit tiresome, so I brought along some other options, just to break things up a little. Specifically, I have about a dozen 4"x4"x1.5" hand-cut, cedar blocks. I bought them here. I prepped them with a few layers of gesso, sanding in between each layer.
I set up my paints and palette. I have all of my paint tubes numbered, using a sharpie, both on the cap and several places all over each tube. I then number the spot on the palette where I lay out the paints. I find it hard to tell which paint is which after they leave the tube: the names of the colors can be quite long and can get obscured on the tube after lots of use. When I want to replace a color, it makes it easier to know which is which by just referring to the number. Those blues and those dark reds can look very similar when it's just a thick slab of paint on the palette.
So I decided on a simple beach landscape. Lots of intense color to start. The usual "hot mess" stage:
Then I wiped it down a little, leaving a smudgy stain of colors as a base:
More layers of color, adding a little white surf:
At first I was going to leave it like that, but then I thought it was just a little too saturated. So I added a glaze of white over the whole thing. Made it more misty, more ethereal, less garish:
Alright, then done!
Negril Beach No. 6 $40
.
They have a nice keyhole cut in the back so they are ready to hang.
I set up my paints and palette. I have all of my paint tubes numbered, using a sharpie, both on the cap and several places all over each tube. I then number the spot on the palette where I lay out the paints. I find it hard to tell which paint is which after they leave the tube: the names of the colors can be quite long and can get obscured on the tube after lots of use. When I want to replace a color, it makes it easier to know which is which by just referring to the number. Those blues and those dark reds can look very similar when it's just a thick slab of paint on the palette.
So I decided on a simple beach landscape. Lots of intense color to start. The usual "hot mess" stage:
Then I wiped it down a little, leaving a smudgy stain of colors as a base:
More layers of color, adding a little white surf:
At first I was going to leave it like that, but then I thought it was just a little too saturated. So I added a glaze of white over the whole thing. Made it more misty, more ethereal, less garish:
Alright, then done!
Negril Beach No. 6 $40
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